#but even then does he even believe he deserves them

[summertimesadnessirl]

This is astroturfing.

Your 8 year old child is not going to turn out to be a misogynist because of girl boss horror movies.

Your 8 year old child is not going to turn out to be a misogynist because women online don't want to play along when men mass gaslight people into thinking they should accept bad treatment.

Your 8 year old child is not going to turn into a misogynist because some adult women don't want to date men anymore.

Your 8 year old child is not going to become a misogynist because some adult women don't want to allow their adult male friends to proposition them for nudes when they have a bad day or because some adult women don't want to be asked out by adult men in public when they are signaling non verbally that they don't want to be approached and trying to teach non verbal cues about it.

Your 8 year old child is not going to become a misogynist because he hears some adult women talking about their lived experiences with ex partners.

If your 8 year old child becomes a misogynist, it will be because of the multi billion dollar social media astroturf campaign currently being waged online that is trying to make adult men into misogynists so that they can legally take away women's rights to life, liberty, and the pursuit of happiness.

By the time your 8 year old child is old enough to vote, likely a lot of those votes will have already been cast and the world will look very different right now, one way or the other, than it does right now.

But right now, your child is 8.

I'm sorry for being old fashioned, but your 8 year old probably shouldn't have unrestricted access to the part of the internet that is filled with billion dollar propaganda machines that want him to become a misogynist. He also probably deserves at least 5 or 6 more years where he regularly has dialogues with people in his life who can help him process and contextualize the media he consumes pretty often. If you can't do that on your own, maybe you should pay for a male therapist or sign your 8 year old child up for big brothers big sisters or ask some of his trusted male relatives who are not misogynists to spend more time with him. It also might be a good idea to get him used to talking to women you know who are safe and who are feminists and who are able to be kind to him and model boundaries and positive reinforcement of community social norms with your child.

It is not an argument that I believe is in good faith and not part of the aforementioned astroturfing campaign that you truly think that a kid who can't even do algebra should have unfettered access to the parts of the internet where women talk about their lived experiences with misogynistic behavior and attempt to warn others or vent about how to solve problems, though. I think a parent probably doesn't raise a kid for 8 years and believe that. At least I hope not. If that's true in your case, my guess would be that your kid is used to being given access to confusing or age inappropriate situations and content and will wind up overly mature for his age, if anything.

Y'all have got to stop virulently hating men. Like, I'm sorry, I fucking hate the patriarchy too, but the patriarchy isn't just men and saying it is just exculpates complicit women. I am the mother of a young boy, and I look at this precious, empathetic 8 year old boy I'm raising and I don't know where online is safe for him. Places like this will say he's evil just for his gender, and other places will say "we'll be your friend if you hate with us," and still others will radicalize him in other ways. Where is he supposed to go? Why are we saying the radicalization is the fault of the kids just trying to find a place to hang?

Like this is seriously getting urgent. You have got to fucking stop conflating the patriarchy and men. 53% percent of white women voted for Trump. Men aren't the problem. White supremacy and Christian patriarchal structures are two examples of patriarchy-reinforcing structures that aren't solely couched in maleness. Men aren't the problem, and pretending they are drives more men into more welcoming extremist spaces and also ignores all the parts of this that are forwarded by people who aren't men.

What I see happening all over is scared, depressed, lonely people looking for someone they're allowed to hate automatically, unquestioningly - someone they're allowed to place all the blame on. Fascism says people of color, non-Christian people, queer people, etc., are the ones they're allowed to hate.

And way too many of yall answer that no, it's leftist to hate men instead. You are doing *the exact same thing they are.*

Fucking knock it off.

The answer is we're not supposed to hate anyone automatically based on their immutable personal characteristics. Hate the specific people who've hurt you. Hate the self-reinforcing systems that let them get away with hurting you. Hate the strangers who prop up those systems. Hate the fascists. Hell knows I hate Donald Trump, but it's not because he's a man, it's because he's a piece of shit.

Hate the pieces of shit, not the gender.

But don't hate men just because they're men. That's unhelpful, stupid, insane, and entirely counterproductive. Fucking. Stop.

[siggiedraws]

I like your essay but does it really irk you if Sonic is Ever portrayed differently even somewhat in other media? He can still have great character even if it doesn't always fit your ideal for it

Thank you, I'm glad you like my essay! My response to this will be quite long-winded, so bear with me.

I am not oblivious to how irrational it may come across for me to essentially admit I dislike all different interpretations of Sonic. But personally speaking, if I am to be completely honest with myself, yes, it does irk me. Their differences almost always compromise Sonic’s appeal, making them unlikeable to me.

My question is, if you are going to remove what makes pre-existing material so special in an adaptation, why is it even an adaptation of pre-existing material? This is a rhetorical question; I know the answer is purely due to cynical marketability reasons. Media is almost guaranteed to generate money if it features a popular, recognizable character. For obvious reasons, I do not think prioritizing marketability over artistic integrity is a good thing that should be defended or encouraged.

My argument is simple: Is it possible for a different interpretation of Sonic to be a good character? Sure, in a vacuum. You can replace any beloved character in fiction with Sonic instead by doing nothing but slapping some blue spikes on it and calling it a day.

My issue is that wouldn't make it a good interpretation of Sonic the Hedgehog because there is no reason for it to be Sonic.

I feel that now is a good time to finally talk about this.

My wariness of divergences in Sonic adaptations, is in part, based in the knowledge that the people at Sonic Team had their creative vision completely disrespected and dismissed overseas.

(SOURCE) - Yasushi Yamaguchi's Twitter

(SOURCE) - Masato Nishimura's Twitter

(SOURCE)

(SOURCE)

(SOURCE)

Sonic Team had no say or power in how Sonic was depicted in the U.S. In some cases, they had no idea that changes were even made until they were told by someone.

There is this distinct sense of cultural superiority coming from Sega of America. Did you know that Sega of America considered Sonic's design "unsalvageable" and insisted it needed to be changed? Did you know that Sega of America tried to "educate" Sega of Japan at character design because they saw them as incompetent at designing good characters?

(SOURCE)

Yes, this is primarily about Sonic's design being "too Japanese." This is corroborated in Sonic the Hedgehog Gametap Retrospective.

As an artist, it is really devastating to hear this story. Putting myself in Sonic Team's shoes yields nothing but sorrow. This flagrant disrespect towards artists' creative visions is odious to me.

Now compound this with the fact that Sonic has had a consistent lack of fidelity in adaptations since he was created, especially in the West, and I hope you can see my perspective here.

To go back to my initial topic on Sonic's characterization, I think that my position can come across unreasonable if you are a person who does not feel particularly strongly one way or another about it. It is completely fine to feel this way. Everyone can enjoy media however they please. For the vast majority of media I consume, I do not pay nearly as much attention and devotion to character consistency.

Sonic is different.

Sonic as a character is extremely important to me. He has gotten me through many hard times in my life and he continues to endlessly inspire me. Whenever I am faced with a tough situation, I hear Sonic’s voice in my head, encouraging me to be strong. Encouraging me to do my best. Encouraging me to keep living. Sonic is my favourite fictional character of all time. He means so much to me that it’s impossible to put into words.

I don’t want to get too emotional here, but I believe that a character like Sonic should continue to propagate and stay culturally relevant because I think kids nowadays really deserve a character like that in their lives. How he is characterized and used in the narrative in Sonic media really matters. There are Tailses in the world who need to learn how to be confident. There are Blazes in the world who need to learn how to accept help. There are Elises in the world who need to learn to let go of the responsibilities that burden them. There are Shahras in the world who struggle from having been in abusive relationships. And there are Merlinas in the world who are afraid of death. These people would benefit from a positive figure to guide them out of dark places.

My feelings about Sonic are far from an anomaly. See an excerpt from this artwork by sludgetoons, in response to this video essay:

"This one fucking video finally has made me realize WHAT Sonic is to me. he's my hero he's my inspiration hell hes a role model yes but none of those terms ever felt right to place onto this character that is so beautifully painted to be this characters free from the shackles of humanity and a need to be "relatable". He's not a hero or a role model, hes a DIRECTION. Sonic himself is an impossible goal to reach as a person, but just trying to live my life in a way that is free, appreciating the world that is around me, exploring and climbing and running and rebelling, lending a hand where I can but understanding ultimately im free to do as I please and I owe no one anything as they owe me nothing. as long as i am FOLLOWING him in those big footprints those red sneakers leave I am becoming a better version of myself. The goal is not to become Sonic, that's impossible. But by ignoring that impossibility and pushing on anyways I still WONT become Sonic. but I'll inadvertently become this better version of myself.

There's no way I can explain it properly how much this character means to me. When I picked up the pencil to draw for the first time it was because I thought he looked cool and inspired me and I wanted to replicate that magic. When I was feeling trapped in my past relationship and thought I had no say in what was happening to me his voice was in my head telling me this wasn't right and that "I could do anything". Start of 2024 I found myself asking "what would sonic do" more often than ever and 2024 was the best year of my entire fucking life. I couldn't give a fuck if it makes me seem insane he made who who I am and I love myself and I hope someday somehow, in another time or space, I can meet him just to say thank you."

This is just someone spilling their heart out on the internet about how much they love Sonic. It has over 9,000 likes at the time of this post.

I do not like different interpretations of Sonic.

None of them inspire power in others quite like this.

[natsmagi]

ok no i need to bitch because i have remained positive and hopeful throughout most of !!-era because i believed that happyele loved their characters and wouldnt deliberately go out of their way to butcher them but time and time again i have been proven wrong on this fact. and seeing the way theyre doubling down on having ibuki, a ryukyuan kid from okinawa, join a traditional "wa" japanese unit that embraces mainland japan traditions when the mainland has continuously tried to make okinawa theirs and disregard the ryukyuan identity WHILE ALSO LITERALLY HAVING EICHI COLONIZE OKINAWA IN ATLANTIS its all just becoming too much. I am no expert when it comes to these topics so do not take my word when it comes to jp culture, conflict and the likes, but knowing how poorly happyele has continuously time and time again treated their indigenous (or middle eastern in adonis's case) cast i cannot see this going well. Not to mention how having ibuki join akatsuki goes against everything the three of them have built up and the whole POINT of their unit and that for them to even fucking put this garbage in the story they had to make keito PAINFULLY ooc to pull it off because NO OTHER REALITY WOULD ALLOW IT!!!!! theyre taking akatsukis developments and throwing it out the window in an attempt to make them something "new" and more profitable while also using a beloved group that so many have spent so much of their time loving and supporting into nothing but a scapegoat for their imperialist propaganda im so unbelievably angry that theyre doubling down on this. im so angry that theyre stupid enough to let shit like this pass

and im sure youve probably read posts explaining the aktk thing better than i ever couldve, esp considering im not an aktkP, but im also writing this to tell the fans of big units to Stop Giving In. do not feel safe just because happyele is scared of losing you, because I used to be an undeadP before getting into switch and the reason i STOPPED producing them was because they viewed the unit as nothing but a money-maker machine and would completely disregard their developments for the sake of feeding into tropes that fans liked and they cared more about yaoibait than they did the characters themselves. They tossed out any growth rei and ritsu had in opperetta for the sake of bringing back sakuma brothers conflict in that painfully annoying la mort story and theyre gonna keep doing this shit until fans tire of it. valkyrie, eden and knights are three super popular units with upcoming events, and i seriously need you to not give happyele any of your time or money because they do not deserve it.

even with switch, a rather unpopular unit, theres been total garbage pulled. in switchs case i think its safe to say that akira does genuinely really care for natsume and tsumugis relationship considering thats basically all that man even includes in his switch stories, but he never really knows what to do with sora. And i feel like he doesnt really care. Like sure i can sit here and be like "well at least MY favs seem to be doing alright" but thats purely because they keep spoon-feeding us crumbs of the units popular ships so we wont complain. i still really like their dynamic and i strongly disagree with alot of fans saying natsume and tsumugi have been OOC lately, but like. Look at sora man. i dont mind him having a little gf in the virtual world, i dont mind him growing more independent, i dont mind him relying less on his synesthesia. but the executions are just. Theyre painful. with the synesthesia thing esp bc synesthesia doesnt just go away. You couldve easily made a simple point of "you cant always rely on your synesthesia to know how people feel" because that is TRUE! but that would de-fetishize this idea these people have of synesthesia being some Magical Ability and not just a neurological condition. And with the sora being more independent; this is also something thats been needed for his story! natsume and tsumugi would often coddle him way too much, and sora himself would complain about being treated as a kid. But like. sora has started to feel so disconnected from switch in a way.....? and this has even been a point of conflict in stories, sora not knowing how to partake in ntmgs conversations because theyre too difficult, or being sad that ntmg never have time to hang out with him. But instead of working on these things, they just. keep having sora hang out with people outside of natsume and tsumugi? who have practically become a package deal at this point?? literally having sora join a NEW UNIT without natsume or tsumugi????????? i dont know. im rambling but i just wanted to get this out there. Theyre my specialest guys in the whole entire world and i just want to make people more cautious of thinking "well the aktk thing wouldnt happen to MY fav unit! they wouldnt butcher MY favs!" because they very much can. even if theres an aspect youre still hooked on, other factors are visibly crumbling because management cares only about what will bring the most revenue, and not what is best for the character

i cant help but feel the reason theyre pulling this shit with akatsuki is because they felt as though they somewhat got away with it with Double Face and raked in some extra cash because kohaku ended up popular, so now theyre doing that again but taking it to the next extreme. its disheartening

anyway. i will continue to draw and enjoy ensemble stars. But i wont be supporting them financially anymore as they clearly do not care about fans at all. if i desperately want some merch ill just buy it second-hand. And while im at it, i need you people to stop telling enstarries to get into some other idol franchise instead as if the main problem here isnt how disgustingly predatory they are. Happy Elements were THE biggest joseimuke franchise, making the most money out of all their competitors, and it still wasnt enough. they still didnt respect their fans. when the fans would continuously respect their wishes. Enstars is like the only fandom ive seen that doesnt share leaks for example, yet this courtesy means nothing to them. Corporations arent your friends, never have been and never will be. those characters arent real, they do not have feelings of their own. They were all written by someone to serve a purpose, and this includes ibuki being an indigenous kid joining the wa japanese culture unit. To use this popularity to spread so much fucking bigotry and hatred is heartbreaking. And to blame the fans for being upset over it????????????? youre disgusting happyele.

[monsterfucker-lisa-swallows]

i think the disconnect over what doctors and society sees as "getting better" does not match up with my expectations for it

doctors define getting better as being able to work and perform in a way that is indistinguishable from the people around you. it's basically "don't be a nuisance". you are expected to do anything you reasonably can to get to a baseline where other people can't tell you're in pain and you don't require government assistance. but even when it's that, they're often going off metrics that are based on their life experiences and not ours. many are able bodied with no serious mental ailments and they live their lives in fear of becoming us. they think if they had our problems, they would focus first and foremost on "getting better" because the idea of a wheelchair scares them. the idea of needing ANY help scares them, particularly if they are boomers, because older generations were raised to believe it's a weakness and a burden to need any help.

my idea of "getting better" is being able to do my hobbies without brain fog. it's not being deterred from fun activities because of my back pain. it's refusing to meditate because it actively makes my ptsd worse. it's using mobility aids in the airport because they prevent me from being in terrible pain and suffering the worst anxiety. it's asking for help when i need it. we do not have to "deserve" "luxuries" like quality time with people we love and the ability to do hobbies by torturing ourselves and performing for others, fuck that.

i once watched a documentary attempting to answer the question if disabled people can be truly happy. the documentary was made by a disabled man and interviewed different people with different disabilities. what struck me was a man with a birth defect that left him with no arms talking about how his whole life he was pressured into wearing and practicing with his prosthetic arms even when it hurt him. he much prefers to open doors with his feet and use self driving vehicles. but people to this day still pressure him to use less effective methods that hurt him. why would they do that to a perfectly healthy man? because THEY are uncomfortable and have not examined their own horror at the idea of what they would do if they didn't have a limb. they treat it as this end of the world thing, as if everyone should have to find a way to perform in the world the exact same way as they do or else they have an existential crisis. but you know what - fuck em. do (or don't do) the things that make your life worth living.

You know what? It’s fucking hard trying to get better. It’s exhausting managing doctors appointments, doing daily PT exercises, eating better, trying to exercise, trying to meditate, and doing ADL’s. I have had a bad crash per week trying to juggle and do all of the above.

It’s easier and less acutely painful to just coast and not actively work on ‘getting better’. Is the work worth it? I don’t know yet.

But to people who’ve tried and given up, to those who don’t even bother - you still deserve care and compassion.

[indiestsnake]

okay. for real this time. Major In Stars and Time spoilers for act 3 and beyond. To my wonderful friends playing this masterpiece, to no further. To potential readers, buckle up. This gets long ._.

I thought this game was done with causing me symptoms of emotional exhaustion and stress overload. I was wrong.

Acts 5 and 6 of this game caused the most emotion a video game has ever inflicted on me. Like- the tightness in my chest was an emotion I can only describe as grief. Genuine grief. I felt like I needed to sob for most of act six, for multiple reasons.

Let’s start at the fuckin transition I guess!!!!!!!!!! Siffrin finally thinks they figured it out, and they haven’t. The genuine fear I felt in the cutscene with Euphrasie, the realization that… that this was it, Siffrin was simply stuck. I believed it. I could not find a way to break my suspension of disbelief. I fully, genuinely could not believe that this game had a happy ending. I did not know this game only had one ending, but even if I did, it… I don’t think it would’ve done anything.

The following monologue was the usual terrifying, the game using its informal dialogue to reap horrific subversive effects as usual. Of course it saved some tricks for this moment, like taking away control of when the dialogue progressed. Watching Siffrin snap so thoroughly, lose all his hope and cling to the thought of defeating the king alone because he doesn’t know what else to do, it… it really breaks you.

So. Now that the game has maximized my potential sympathy for Siffrin. And torn my empathetic heart to shreds. It immediately turns on a heel and makes me hate them within three conversations. The things they say to Mira, Odile, Bonnie, Isa, made me so thoroughly angry. I would not blame Odile for actually harming him. I would not blame Mira if she never spoke to him again. I would not blame Bonnie for never wanting to even think about him again. And I would not blame Isa if he no longer loved Siffrin.

I am a person who believes in redemption. In second chances. The readers of my fics know this well. But sadly, actions have to have consequences. And the actions Siffrin takes should have lost him his friends, his family, forever. Even in his circumstances. They had no reason to keep caring.

So then, reeling from the genuine sense of loss and grief and hate and despair, Siffrin nicks the orbs and goes in alone. Through about, what, 20-30 minutes of gameplay, this tension persists. The game didn’t even need to barrage me with monologues, just show those conversations of the family Siffrin left, tear apart the house and the menus and the game till it was barely recognizable. Siffrin. The Lost One, says his profile. Memory of emptiness. Rock, paper, scissors. It’s so dry. So dull. So full of despair and pain and fear and a question of what he could ever do to deserve this hell. He can’t go back. He cannot find the hope or will or anything to go through with it, to follow the script. So even if this does break the loop. What then? He is left with a world where the people he loves most despise him.

Then finally, he reaches the king.

The fight is almost dull. Simplistic. Full of pain. Siffrin does not need a shield to withstand the vision of the future. Because the world they live in cannot get any worse. Nothing scares him more than the hell he now exists in.

Then, he begins to freeze. The king slows him down. And he falls asleep.

The following sequence was just… indescribable. The sadness variant of him, Mal du Pays. French for “homesickness”. Just a simple drawing of Siffrin. The music. The dialogue. The words that come from its mouth. From the party’s mouths. Siffrin tries to say it’s fake. Isabeau’s segment convinces him it’s not.

I didn’t even realize what was happening till it flashed forward and gripped the screen by the face.

He was turning into a sadness.

The frame of his sadness gripping the screen, like many of ISAT’s frames, is something I can’t manage to forget. The cloak and the face and the way it fills the screen so suddenly and finally speaks as itself, not as Siffrin’s party. And he can’t fight it. They just can’t. The universe leads, but he is tired. And now, he can rest. If he just lets go.

In that moment, I was staring at a black screen, begging, pleading for the credits not to roll.

And then he wakes up.

Because his friends are back.

Despite what he said and did, they knew he didn’t mean it. And if he did, they didn’t care. It was clear something was wrong, and they were determined to fix it. Because they were his friends.

I don’t think I’ve ever had a game manage to convey self-hatred so convincingly that I, the player, began to hate my character in a way their friends could not. In fact, I was not aware that was a thing that could happen.

I don’t even know how to express the feelings this give me coherently. It feels like this game snatched away one of my closest moral beliefs only to clothesline me with said belief so I learned it even harder. What Siffrin did was not unforgivable. But it truly convinced me that it was.

So of that when all hope seemed truly, truly lost. It pulled the basic trope of “your friends come help when you thought you were alone”. And it nearly knocked me out of my chair.

First off, get fucked king. Second off, happy for you king.

And then the walk to Euphrasie. I was mixed with giddy glee and unending dread for this whole thing. Isa helps Sif walk while Bonnie holds their hand. Color exists again but only red and oh god the world is ending. Euphrasie is still broken oh god please no don’t send me back don’t take this from me please no no no no WAM REVERSE BOSS FIGHT

Cue that scene. I wasn’t exactly happy that my only option aside from hurting my friends was hurting myself. But it did not take long for me to start groaning in annoyance when Mira healed me.

And then. Against all odds. Siffrin breaks. As does the text formatting as the party literally claws at the text box edges to yell at him.

They fall. Hands clasped together. And he tells them his wish. That he just wants to stay with them.

Of course. That’s all he ever wanted.

And oh god, oh thank every deity, that’s all they want too.

And he finally gets a god-damn motherfucking son of a bitch eye-losing tear-jerking MOTHER FUCKING HUG

and damn it was a good one. poor guy was all squimshed. lost his hat too

the rest of the dialogue is just. amazing. I was gigging and smiling and shaking and vibrating with joy before I even finished Mirabelle’s segment. Walking to Bonnie was when I realized it felt like I wanted to cry. During Bonnie’s dialogue was when I almost did cry. Then Odile. Who I obviously asked for the long version of her theory and she was very helpful for explaining all the stuff. and then.

Isabeau.

oh. my. fucking. god.

the joy I felt when he said it. The leap I leapt, ungracefully dancing over to my bed and mouthing screams of joy. I genuinely just collapsed and writhed around like a fish out of water in happiness. You know how some folk flap their hands to stim? Yeah, imagine that but my whole body. I was so unbelievably happy. I don’t know how a game did this much to me.

The rest of the dialogue was wonderful too. Sif apologized for everything, even the optional events, even admitted the bad touch event. And of course. Isa freaked the fuck out. Because oh my god Sif kissed him. And then when Sif clarifies that it was not a good kiss. He just thinks for a moment like. “…………. Maybe u just need more practice!!! ^^” and it was at that point Siffrin and Isabeau plushies manifested in my hands and I mashed their faces together like barbie dolls

Mira doesn’t want self-spoilers and thats hilarious. Bonnie has no fucken clue what’s going on but she knows Sif was hungry sick and at school so all is well. Odile admits she linguine’s him and yes I fucking love that joke. SIF’S HOME COUNTRY MIFHT APPEAR IN THE DISTANCE????? AND ISA AND SIF ARE GOING ON A FUCKING DATE

and it was at this point I saved my progress, crossed my heart, and prayed Euphrasie would not send me back.

And she didn’t.

oh, god, this game…

welp. this post is two hours in the making. dunno if any of this is coherent but I think if you’ve played isat you get it. thank you to everyone who’s been blowing up my liveposts recently!!! it’s been cool to see the fandom giggle evilly at my suffering :3

tho my contributions to the Isat fandom do not end here. the fic is imminent. I could not stop it if I wanted too. If you couldn’t tell by the essay you just read.

thank you for reading this far if you somehow did!!!! hope you enjoyed my nonsensical babbling. I’m gonna go pass out. have a good day!!!!!!! .3

[aurenturley]

It was precisely Feyre who told Nesta, before being taken , not to marry Tomas. Feyre, in the first book, saw all of Tomas's "red flags" and told Nesta not to marry him, because he had an abusive father with his mother, and would treat Nesta the same way. And you tell me that this younger, more reckless Feyre was able to see through a man she barely knew, but she can't see through Cassian? Through Rhysand?

And do you know what's even more ironic? Do you know what Feyre's argument was for his intuition regarding Tomas? That he didn't take a stand against his father to protect his own mother, that he never did anything to help, and consequently, in her logic, this made her believe that Tomas actually agreed with his father's attitude towards his mother. Not to mention the fact that Thomas looked at Feyre lewdly, so she was already aware of him.

And do you know who else doesn't take a stand against an abusive man who wants to *KILL* an innocent woman? Yeah, Cassian... And the worst part is that the woman is his own mate. And in a way, Feyre's logic can be applied here... If he doesn't take a stand to defend her, it's because deep down he supports and believes that the abuse against Nesta is the right thing to do. And from what we can see from his POV... That's more than concrete.

Feyre even uses the same logic with Lucien and Tamlin: if he didn't help me, he also supports Tamlin.

Cassian is in a similar situation here, he is friends with the high lord. The similarity ends there, because their relationship is not limited to friendship outside of work like Lucien and Tamlin, Cassian and Rhysand call themselves brothers and Nesta is his MATE, and he not only stays silent when Rhysand threatens to kill her, he PUNISHES HER! And he also stays silent when she belittles herself. He pushed her away more than once in public and Feyre SAW IT! She saw him change lingerie weeks after declaring himself to Nesta and then leave her alone again.

Feyre only sees what she wants. If she likes Cassian then Cassian is good. And yet is not good even even for her, happy to obey his master and let her die without even knowing why.

And in the second book there's a whole paragraph about how Cassian and Azriel would turn against Rhsyand if she was in danger at his hands. Hilarious. She was in danger and they didn't even blink. Not even Morrigan, who she considers a sister and supposedly helps women make their own choices, her "supposed" family that would do anything for her would let her die without her having any choice about her own body or even knowing about it.

If Tomas was bad just for "letting" his father beat his mother (Feyre's first reason to dislike him was because of this, before knowing how disgusting he was) what would Cassian be if he was going to allow his brother to kill the supposed love of his life?

But again Feyre only sees what she wants, if she likes someone they have no flaws if she is against them they never did a good thing in their life and deserve all the hate.

Feyre ignores how Rhysand was abusive and STILL IS to her because in her eyes he can't do no wrong, so whatever he does, it is the right thing and just brushes it off, same thing with Cassian, there is only black and white with Feyre, she sees how he acts with Nesta and yet she doesn't see anything wrong with it because Cassian is good, so he is not abusive doesn't matter what is in front of her eyes.

And yet acotar stans still act like Feyre's POV is fact, not just her own opinion and the way she sees things in her very narrowed mind, only regarding her feelings, even after Nesta's POV, acotar stans only allows Feyre's POV to be the whole truth.

[ljesak]

fav wc characters ramble!

Jayfeather is my favourite character I think, mostly due to nostalgia and how consistently characterised he is, I especially loved his friendship with briarlight which i also really like as a character!

Hollyleaf is a second favourite, even tho her inconsistent personality traits were due to the authors not rlly knowing what they were doing with her, it made her quite memorable in my eyes, we haven't really gotten a character like her since. I also think its crazy sad that the authors just couldn't think of a power for her so they just… didn't. I disliked her treatment of Leafpool but that goes for Jayfeather as well, both were stupidly mean to both Leafpool AND Squirrelflight but i think in this case it just showed the author's ire/biases so I'm ''overlooking'' it character-wise. Leafpool could never catch a break

Mothwing is a close second, basically our only atheist-adjacent non-evil character that's remotely interesting, I just like when any character has an alternative worldview

Leafpool is also a favourite due to how built-up she is and how starclan keeps mistreating her regardless of how ''right by them'' she tries to be, she deserved better

I loooved tall shadow, dotc was fun to read minus all the billion dead love interests and insanely cruel treatment of bumble. out of all the OG leaders i enjoyed tall shadow the most, she was the most complex one and I just enjoyed any scenes with her, they felt serene

Clear Sky is the best villain they've ever written and I absolutely hated his shoddy ''redemption'', he was a slowly and believably built-up, realistic depiction of a flawed, cruel, bigoted person which they just did not replicate since

Onestar was also interesting when it came to his degrading friendship with firestar but his super edition kinda ruined him for me

Sol was entertaining to read about, trying so hard to be menacing and manipulative but mostly being just pathetic and he still managed to stir some trouble, i loved that about him

Needletail! well-meaning rebel with a tragic end, her death was a powerful scene but i hate how they just kill off any remotely interesting female characters when they appear. i did not care for violetshine much and she lived

crookedstar - really loved his super edition

crowfeather is pretty awful but i like his design and ''vibe'', romance-doomed shitty old man seemingly unable to build any connections, in a weird way it's calming to think about like the way staring at deep, dark water is calming

i also really enjoy squirrelflight and pinestar, squirrelflight for how consistently assertive she is and just Does Things and pinestar's just… whole thing with disobeying starclan and realising such an endlessly cruel society they live in is kind of pointless. as ive said i love seeing any alternative worldviews that the authors tackle without demonising them which is sadly what we see more often.

ravenpaw is just a nice guy and i loved his novella, he has the best written romance out of all the other characters in the series and i don't even care about barley that much i enjoy more characters of course but these are some personal favourites, meaning i feel some sort of strong resonance when i think about them

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[great-septimus]

I want to add to this. I reblogged it before I actually thought of what I wanted to say, but it finally connected in my head. I agree with all of this, but it was mainly the realization that what the fandom calls his sudden "traumadumping", as funny as it is, is literally just him attempting to make Ren feel close to him without any real vulnerability.

He talks about his mom with Ren unprompted, and says he hasn't told anyone this before, and that's true- because he hates feeling pitied. He doesn't want to feel weak, but he does want to be cared for. He wants to be supported, by anyone, but most people would react to his hardship with sympathy that he doesn't need or believe he deserves or earns. So he instead opens up to Ren because he sees them on equal footing. They're on the same page, and he wants Ren to feel a connection to him even if it's entirely fabricated and calculated. It's partially due to habit because, y'know, Detective Prince mask requires him to do this already in general, but also because so much of his real hardship is locked up so seeking a real connection requires the melodrama.

For me, I had this realization remembering when he walked into Leblanc the first time. He sees Futaba and he says "You must be Wakaba Isshiki's daughter" and then after he gets chewed out by Sojiro, he starts talking about how he doesn't feel wanted anywhere. Then seemingly unrelated, he talks about his mom. It feels to me like he's trying to say "if you can care about Futaba, then you should care about me."

He hasn't had a support system, so the need for just someone, anyone to care, even though they don't know him and what he's done, is so strong. He hates being pitied because he doesn't see himself as weak, and he doesn't think he deserves sympathy, so why would he share anything more than necessary? The third semester is the inverse of this. Everyone knows too much, so now the care he craved for so long feels way too exposed. It's too vulnerable, and he never thought he would have earned it if he shared this much, even from Ren. So ultimately the trust he earned has the opposite effect, and now his prior "see me and love me" mask has been replaced by a "leave me alone and hate me" mask.

Just said something about this on twitter but out of everything in 3rd semester that’s meant to show the contrast between akechis behavior pre-engineroom and post-engineroom I honestly think this specific change in sprite expression does it best

The first one looks directly at you because he makes this face when he’s trying to gain sympathy points / connect with whoever he’s talking to. Okay yeah he uses it when he was talking about his mother at leblanc and the bathhouse which definitely drew from a place real sadness but it was still a calculated part of his attempts to endear himself. And the second one is the exact opposite. It barely shows up and when it does it’s only for 1-2 (?) dialogue boxes a piece. It’s the expression he makes when he can’t immediately hide his emotions. The quick turning away / avoidance of eye contact is so you Don’t connect with the little hints of genuineness that manage to slip out for the two seconds that they last. Maybe so he doesn’t have to see your face if you do? Anyway. TDLR I just think it’s nice to focus less on his crazy talk and meangirlisms and acknowledge that they’re 100% also being used to rein in the fact that he’s progressively losing his grip on masking “the real akechi” from sight 100% of the time. At every point in the game he only wants his real self to be seen in tiny, entirely controlled sneak peeks, and only when he thinks it benefits him. agh

[kittyandco-archive]

does anyone else get so upset when you think about all the things that happened to your f/o... all the things they went through? all the things they haven't healed from? the pain that they may still be enduring? how you can do your best to help them but you can't protect them from everything. so you just love them the ways they needed before, how they deserved. and you see them happy because they finally accept, at least in some ways, that they do deserve it. they deserve love like all beings do

[spinnysocks]

kiburi x ushari but specifically doomed kiburi x ushari. more than anyone else in the army they believe with full sincerity that scar's plan HAS to work because they can't succeed without him

[elizabethzoopzoop986]

I miss Mei so much you don’t understand :( bring her back AidaIro. Also Yako and Hakubo

I hate how the school mysteries (other than Hanako, Mitsuba and Akane) get there one arc where you really get to know them and care about them and then they just go away forever. GIVE THEM BACK PLS AIDAIRO LET THEM OUT OF THE CLOSET THEYVE DONE NOTHING WRONG

[billysgirllol]

“well, now ya know darlin’.” glad he’s getting to experience birds, they’re too special not to. “tomorrow we’ll hold out worms in our hands, maybe it’ll be a little more warmer to do so and you’ll get to feed one.” lucy gray suggests with a soft smile. “that’s too sweet,” shaking her head in disbelief, believing that’s too kind of him to say. feeling like she’s not even deserving of such beautiful comments— a soft expression etched across olive features. “if i can make flowers bloom with my laugh, then i’m the luckiest girl in the world. flowers are the most special to me. so is spring.” she affectionately speaks, thinking of all her favorite things. eyes playfully watch his movements to her fingers and ears light up at the adorable sound of his laugh, grinning because she’s easily satisfied with the sound. she’s right, it is as sweet sounding as he thinks hers is. hands drawing up defensively, despite herself getting wet anyway when he splashes her. another laugh sounds from her and once he turns, lucy gray drops the blanket from around her shoulders. feeling a little bashful because no, he’s not looking but her skirt drops off her hips with her panties then so does her shirt once she tugs it off her skin. minding all the scratches across her shoulders, arms and collarbones. and then she’s naked with a stranger right there, he isn’t looking but it still makes it feel crazy. she tugs off one sock then the other then carefully throws her legs into the hot water and sinks into it. bending her knees and hugging them, a blissful feeling washing over her as the warmth hugs all her aching muscles despite a little pain radiating off her thigh. realizing she’s getting carried away in the peaceful comforting feeling, lucy gray dips her head back, making sure to soak her tangled hair before leaning back up. “alright, you can turn around now.” remembering at last second, realizing she just got carried away. “this is the best thing i’ve felt in awhile, besides that medicine you gave me last night.” thinking once again, she can’t thank him enough.

“oh, look at that, they do seem pretty calm. hm?” eyes glancing up to the trees, amusement filling her spirit as billy plays along about the ‘neighbors’. shortly a laugh escaping her at his comment about hollerin’ like a madman, covering her mouth to be a little polite. “what do ya mean? birds do chirp around way up in the trees if you listen closely, one was desperate for food so i helped dig up some worms.” she replies, wondering if he’s skeptical of her. “and the mockingjays. they’ll sing whatever you tell ‘em to…” thinking back, how she intentionally had them singing to the tune to her voice to stir coriolanus even crazier. alright, maybe that was harsh of her, maybe she did go too far. but — he was going to kill her sooner than later, she justifies it with that. and him LYING to her. “well, you’ll have to wait on that.” a sheepish laugh as she holds her shirt to her chest, hand gently pushing him forward. she didn’t put her bra on, she’s suddenly very hyper aware— but she can’t tell him that. cheeks flush. and then he’s fixing her blanket around her, how doting of wn action that it leaves her momentarily stunned. “i am, i am.. i’ll be goin’ doin’ that now.” warm eyes flickering up on him, a little bashful still as she moves in past him. finding this concerning nature of his alarming in a surprised endearing way. “well, i figured she’d be alright for a few minutes… despite her young age.” lucy gray briefly turns to him once she stops at the kitchen table, laughter sounding from her again. how couldn’t she laugh at that? “or i’ll just go ahead an’ admit… i’m not the best mother.” amused smile on her face as she dumps out the nuts and rose hip onto the circular table from her shirt.

[rmbunnie]

Red Hood Characterization

This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.

I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?

This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!

tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.

Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.

[pwurrz]

being obsessed with yakumo is a job and baby i’ve never called in a sick day!!!!!

[quietwingsinthesky]

you ever just think about. “You are diseased, albeit a disease of our own making. No more.” you ever just. oh, they made him and they discarded him. it’s never going to be quiet again for him, and that’s just collateral. they let the sound rot through his whole life, his whole timeline. because that’s the kind of easy sacrifice you can make when you want to save yourself above everything else, one that doesn’t ask anything of you. you dig open a child’s mind and you bury your survival inside him and when he follows the noise back home, when he does exactly what you groomed him for, you call him ruined for it. that’s. you ever just think about that.